
Piet Dirkx cigarbox 338

Piet Dirkx cigarbox 338

Abstract Expressionism and even the dutch version of the drip paintings by Pollock, that for me is the meaning of Gerard Leonard van den Eerenbeemt, who even had a solo exhibition at the Stedelijk Museum Amsterdam ( 1970, supported by a very nice catalogue designed by Wim Crouwel.
Why mentioning van den Eerenbeemt. First because he has a unique style of his own and deserves to become better known outside the Netherlands and secondly because i am auctioning this coming weeks an extremely nice abstract drawing in black ink at www.kunstveiling.nl

What makes this auction important is the fact that in 1988 his studio with his complete oeuvre and archives was burnt down to the ground, leaving only some 100 drawings in the collection of the Stedelijk Museum Amsterdam and some drawings and paintings in private collections. This makes his work scarce and because of its quality highly desirable and collectable. Please take a look at the auction and of course there is this nice Crouwel publication available at www. ftn-books.com
BTW. As you can see the drawing is kept/ flat in a drawer of my “new” acquisition. An “antique” drawings dresser which was formally used in a convent in Bergen op Zoom. I found this on Marktplaats and since, my offices have become much more organized . The picture above it is by Ossip (1953).

PietDirkx cigarbox 337
When Rudi Fuchs made it director for the Stedelijk Museum Amsterdam, one of the first acts was to fund his exhibitions with promotional activities by commercial industries. One of the first that got a chance to show his new products within the museum was Alfa Romeo who showed their new models Alfa Romeo GTV and the Cabrio version.

Sketches , clay models and the end product . Every aspect of the creation of these models was shown. Special poster and some leaflets with the exhibition made this a true museum exhibition , but was this the right place for such an event….personally i do not think so.

Although a car can be a “piece of art” it does not belong in an art museum , but certainly can be presented in a car museum. But still it must have been good for the museum funding, because since many other commercial activities have taken place , but none as outspoken as the one for ALFA ROMEO.
Because of my personal interest in cars www.ftn-books.com has some publications on the subject.

Piet Dirkx cigarbox 336
Emil Nolde had a very long life and witnessed many art styles during this life, soaked them up and made a style which is personal and highly recognizable as Emil Nolde. For me it is a something between Kirchner ( see last weeks blogs) and Gauguin. It is pleasing in its appearance, but the use of primary colors makes it also unreal and typical for the BRUCKE group. Wikipedia mentions his interest in van Gogh …..
Emil Nolde (born Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals.
Nolde’s intense preoccupation with the subject of flowers reflected his interest in the art of Vincent van Gogh
….. but take a look at this Gauguin and you see immediately what a mean.
left Gauguin and right Nolde . You can see the similarities in color and even some aspects of the composition look the same. Far fetched?….maybe a little , but for me Nolde stands much closer to Gauguin and even Chagall than to van Gogh.
There are Nolde publications available at www.ftn-books.com

Piet Dirkx cigarbox 335

Piet Dirkx cigarbox 334
Because i wrote yesterday a blog on Kirchner and studied for a short while the several paintings he executed between 1910 and 1920 and noticed some similarities between the paintings Jan Sluyters made in this period and the ones Kirchner made, I will now share these 2 paintings that i found . They are executed only 1 year apart from eachother.
The approach by Sluyters to his models is almost the same . The portraits are from the hips up, breasts bare and both wearing a flowered scarf and because of the strong colors they are 100% fauvism. I like both artists, but if ever i had to chose between both , i would certainly chose for Kirchner. His approach to his subjects and his painting is far more modern than Sluyters ever did. But unfortunately i will never have a choice except the museum i shall visit next time to see a Kirchner or a Sluyters. The Sluyters is in the collection of the Rijksmuseum Twenthe and belonged to the former collection of Nic Jonk. The Kirchner is one of the highlights in the collection of the Museum Ludwig. So make your personal choice and visit one of these two and let me know which one you prefer.
Books on Sluyters and Kirchner are available at www.ftn-books.com


Piet Dirkx cigarbox 333